Article from The Cringe
The 2015 HARDCOPY program began last week, with esteemed editor Nadine Davidoff directing a series of workshops with the successful nonfiction applicants for this year’s program. In the same week, the e-journal Softcopy was launched, showcasing an anthology of fictional work from writers who participated in 2014’s inaugural HARDCOPY program. The Cringe spoke to the editors of Softcopy about their vision for the e-journal and how both HARDCOPY and Softcopy are opening up further avenues for emerging Australian writers to develop and promote their work.
Literary magazines have provided an outlet for Australian writing since 1821 when the Australian Magazine, printed by Robert Howe, debuted in Sydney. Today, publications such as Meanjin, Overland and Southerly are the bastions of this literary tradition, but increasingly, Australians are turning to digital offerings to satisfy their cultural curiosity.
The new e-journal, Softcopy, taps into this growing trend. With around 15 million Australians accessing the internet at home on a regular basis, creating an online opportunity for emerging writers to showcase their work seemed the natural choice for the creative team behind Softcopy.
Softcopy is the brainchild of founding editor, Christine McPaul, a Canberra-based writer/editor and participant in the HARDCOPY 2014 program conducted by the ACT Writers Centre, and funded by the Australia Council for the Arts. Along with fellow HARDCOPIERS Lesley Boland (Blemish Books) and George Dunford (Canberra-based writer/editor) they saw an opportunity to harness and display the range of talent brought together by the program.
‘We are excited to launch Softcopy as a vehicle for emerging writers,’ said Christine. ‘The online option is an easy and cost effective way to provide readers access to new writing and to support cultural production in Australia.’
Lesley Boland agrees that the decision to make Softcopy an e-journal was a deliberate choice. ‘We wanted to be able to have our work available to the widest possible audience,’ Lesley said. ‘As emerging writers, being able to build an online profile is a prime consideration.’
Whether you are interested in Poland or parrots, bullies or blind dates, murder or mercy, coaching or cricket, torture or tumbling, diplomacy or dancing, fire or friendship, ambition or adultery, the first edition has something for you.
‘Our aim is to broaden the range of contributors for future editions,’ George said. ‘We hope that over time Softcopy will become a vibrant place where many emerging writers can present their work.’
Softcopy will be produced regularly. Keep an eye out for the next call for submissions when emerging writers will be invited to submit a previously unpublished 500-1,000 piece.
Explore Softcopy here. (This article first appeared in The Cringe).
HARDCOPY is a professional development program for emerging writers run by the ACT Writer’s Centre with support from the ACT Government and the Australia Council, the Australian Government’s arts funding and advisory body.
(Christine McPaul, George Dunford & Lesley Boland)